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A Glimpse of Ceribon City

  

Ceribon, with a population of about 300,000, is one of West Java’s more important cities. Located on the north coast of Java about 138 kilometers east of Bandung, the capital of West Java, and about 250 kilometers east of Jakarta, the capital of Indonesia..., it is the main hub connecting Bandung and Jakarta with other cities in Central and East Java.

 

Origin of the name Ceribon

The name Ceribon translates to ‘Shrimp River’, ci is Sundanese for river and rebon means shrimp, for which the town is well-know. Or, Ceribon could come from Caruban which is a Sundanese word translating to ’mixture’. Indeed, Ceribon does enjoy a wide mix of cultures and traditions, retaining European, Arabic, Chinese, Javanese, and Sundanese in blend peculiar to Ceribon.

 

Ceribon presents a true prtrait of a multi-cultural lifestyle as intended in the national motto of Bhinneka Tunggal Ika: Unity in Diversity.

 

Economy and Industry

Ceribon has great business potential. It has the only ocean harbor serving domestic and international trade in the province of west Java. This harbor, called Pelabuhan Tanjung Emas (Golden Cape Harbor), is supported by a seaport and other facilities, which make Ceribon well-suited for West Java’s commercial activities. Many products, made locally and outside Ceribon, are exported from here by land and sea. Furthermore, Ceribon boasts a government-built industrial estate for small and medium-sized industries.

 

Ceribon’s many industries offer considerable potential for employment and for sustaining the local economy. Amongst these are light-industrial factories producing sugar, cigarettes, cement, cloth, batik and rattan. The town and its industrial areas are reasonably clean, cleaner the most other industrial cities in Indonesia, although there is still some air pollution arising from said countries. Ceribon is also well-stocked with hotels of various classes and cinemas. The educational industry has made some progress as well, with the establishment of a substantial number of educational institutions, including those teaching foreign languages (English, Arabic) and several pesantren (blamic boarding schools). Two private universities, the Univarsitas Swadayta Gunung Jati (UNSWAGATI), have been founded to facilitate higher education for the people of Ceribon and vicinity.

 

There is also one particular artistic industry with growth potential: the batik industry. Ceribon has its own unique style of batik which reflects influences from west and Central Java and the Middle East.

 

City of Culture and Tourism

The people of Ceribon are culturally different from those of the rest of West Java. Although they do live in West Java, which is basically Sundanese, the Ceribonese speak what is called bahasa Jawa Pesisir (Coastal Javanese) and practice a  culture that is predominately, but as already said, not exclusively, Javanese-Sundanese.

 

Ceribon is also only city in province of West Java still having royal palaces, keraton. It is also one of the earliest cities on Java to adopt Islam through the efforts of Syarif Hidayatullah, also known as Sunan Gunung Jati, one of the walisongo or ‘nine Muslim religious leaders’, who lived in the 15th century. He took over the government of Ceribon in 1479. From here, the venerable Sunan helped to spread the faith farther inland. Sunan Gunung Jati’s tomb is located inside Astana Gunung Jati, which is about 7 km. north of Ceribon and is a popular destination for pilgrims and tourists to this day.

 

Ceribon has been in existence since approximately 1378 AD when it was proclaimed the Kingdome of Ceribon by King Cakrabumi, whose reign name was Cakrabuana, ‘axis of the universe’. So, it has many historical sites to offer tourists. It was the capital of Islamic sultanates, represented by three palaces: those of the Kasepuhan (the senior royal line), the Kanoman (the younger royal line) and the Kacirebonan. Of these the Keraton Kasepuhan was built in the 15th century. The structure displays strong Indic influence but is decorated with Chinese ceramics of the Ming dynasty. In the palace museum are a number of sacred heirlooms or pusaka, the most striking of which is the Singa Barong (lion) carriage dating black to 1549 AD.

 

The Keraton Kasepuhan is the site of an important annual event celebrating the birth of the Prophet Mohammed (peace be upon him), or Mauludan, which occurs on the twelfth day of the month of Maulud on the Islamic calendar. Included in this is the ritual cleansing and parading of the sacred heirlooms, the jimat, which are special platters and bowls, some dating to the Ming dynasty, kerises (Javanese daggers), kujang ( ashorter version of the keris), and tombak (spears), among others. The platters and bowls from China are decorated with the Islamic creed (kalimah shahadah) as well as the Ayat Qursiy from the Quran (verse 255 from the surah Al-baqarah), both in the Arabic script.

 

The display of the sacred heirlooms on the occasion of the birthday of the Prophet Mohammed, called Panjang Jimat in Ceribon (panjang, pajang=sacred protective objects) is an event of great attraction, drawing visitors from all over Java and even abroad.

 

Ceribon has a number of other interesting celebrations of both ancient traditional and Islamic origin, as well as various art forms. Among the latter are some unique dances, including mask-dances, dances displaying supernatural power, and tarling music.

 

Rampak Topeng

The Rampak Topeng is a mask-dance in which the performer falls under the influence the particular mask s/he is wearing. Each of a number of different masks has its own character, which is reflected in the dancer’s movements.

 

Kuda Lumping and Debus

The Kuda Lumping  and Debus are performances in which the actors use apparently magical skills to perform incredible acts, such as eating shreds of glass and whipping themselves, without harm. While the Kuda Lumping appears to be of local Javanese origin and involves the entrancement of the performers, the Debus is of Islamic origin and is practiced in Muslim communities in other countries.

 

Sintren

Sintren, or Lais, as it is also known, also contains an element of magic or supernatural power. A young girl, her hands tied together behind her back, becomes entranced as she dances to the accompaniment of music. At a certain point, she sits down and her helpers cover her with a plaited bamboo chicken coop and then a cloth to hide her from view. Beside her in the coop is a complete set of clothing. After a few songs from musicians, the cloth and coop are lifted off to reveal the child with her hands still tied, but dressed in her clothing. She performs several other tricks, such as moving invisibly from one covered coop or cupboard to another, then a final dance, when the audience begins pelting her with coins, called saweran. The first coin that hits her causes her to fall down and regain consciousness.

 

Tarling

The word Tarling comes from the words gitar (guitar) and suling (flute). It is a form of music unique to Ceribon, a combination of the two instruments on the Sundanese five-note scale, producing beautiful music. One tarling  artist to gain a national reputation is Haji Abdul Adjib, owing to his hit Warung Pojok (corner shop). The Haji is also a preacher who studied at the Buntet Islamic School, or Pesantren Buntet, in Ceribon under the leadership of the nationally known Kyai Haji Fuad Hasyim.

 

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